Working on Pen to Paper was interesting for me because it brought Burchfield’s handwriting into a larger context. While some artists took time and care in crafting letters to friends, Burchfield had little concern for the elegance and precision of the written word.
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This project reminded me of the actual, physical connection between writing, writer, and words. It’s especially telling in the context of someone like Whistler, who was such a clever writer and for whom words were his weapon of choice in his battles against the (to his mind, at least) unappreciative British public.
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"It’s concerning that kids growing up today might not be able to read letters, read these manuscripts. Flavin’s early text is so difficult to read, you almost feel shut out. He has all these flourishes, especially the way he ends a word. It’s very sad when this kind of information becomes inaccessible."
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"Eakins learned his elegant copperplate hand from his father, a skill that was reinforced at Central in his drawing classes. To the nineteenth-century mind, good penmanship and draftsmanship were seen as interrelated skills that reflected clarity of thought."
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