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Keep the beautiful pen busy.


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Handwritten is a place and space for pen and paper. We showcase things in handwriting, but also on handwriting. And so, you'll see dated letters and distant postcards alongside recent studies and typed stories. 

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Filtering by Tag: Smithsonian

The Handwritten Holidays

Bretty Rawson

BY HANDWRITTEN

In Bird by Bird, Anne Lamott states that Monday is the worst day to write, and that December is a month of Mondays. While it is about the external elements (the shortened days, raging rivers of street slush, broken radiators, etc), the struggle takes place indoors, or, inside the mind. Emily Dickinson used to refer to these nights as "evenings of the brain."  

This year, we were prepared. We purchased a sunset lamp, a crock pot, and, hiding throughout the apartment, we've stashed unopened bottles of Two Buck Chuck. #grapesofwrath

Speaking of books, that is really how we get through December, and the rest of the winter months. With a little bit of time away from work, we'll soon be retreating to the woods with a stack of books, blank journals, envelopes, and stamps. We thought to share with you some of the things we'll be bringing with us. First are a few titles that have little to do with "handwriting" per se, but speak directly to us as hand-writers, for they address the thin lines between great divides:

For those of you who want to jump into the deep-end of the handwriting pool, these are some great diving boards. Two notes: first, we highly encourage you to pair together Brencher's memoir with her letter writing stationery kit, as we heart everything she does; and second, The Assassin's Cloak anthology is particularly wild because it's organized by date, and so for a big chunk of our last year, we would read the entries from each day in the morning to get us going. February 6th was particularly enlightening, as there were entries from 1769, 1881, 1922 and 1941. 

If you're looking for a gift, we recommend the below art objects. Inspiration is guaranteed. Whenever we feel a little bit of pressure mounting, we crack open these covers, get lost in their letters, and a few daydreams later, we're back to the page. 

Lastly, if you're looking for something to write in, here are three ideas to get you, or someone you know, writing: 

The medium-sized hardcover notebooks from Leuchtturm are a new favorite of ours — and not just because their cheerful, mod two-tone covers (“biColore”) are an antidote to the winter grays. With numbered pages, a table of contents, and supplemental stickers for archiving and organizing, you feel like you’re writing a real book as you scribble towards the 249th page finish line — which is some 100 pages longer than most similar style journals. There’s a gusseted pocket for stowing paper ephemera, and an elastic band to keep your words tucked in at night. 

The Shinola Detroit notebooks are manufactured by Edwards Brothers Malloy — a family-run printing business that has made books and journals since 1893, and which employs more than 900 people in Ann Arbor, Michigan. As their mission statement goes, Shinola respect the evolving nature and power of the handwritten word, and aim to "uphold the art of putting pen to pad and preserving communication.” The Smyth sewn binding method used not only allows your notebook to lie flat when open, but it increases its life expectancy and durability. They come in a bunch of different sizes, colors, and material groups — the linen options being the best to cuddle up to. 

But if completion is important to you, then check out the sketchbooks from our partner in the pen, The Sketchbook Project. You have one year to complete this blank little book. Though, time is running out, so click your way into a great activity by checking out their offerings on their site.

Lastly, Happy Holidays, everyone. Stay safe, keep the beautiful pen busy, and be in touch.

Pen to Panel • An Evening of Archives, Conversation, and Lagers

Bretty Rawson

This Saturday is our culminating event, Pen to Panel, with the Smithsonian's Archives of American Art. We'll be joined by five wildly creative minds for an hour of conversation about the past, present, and future of handwriting. We are thrilled to be hosting the event at The Sketchbook Project's newly-renovated home, which houses thousands of sketchbooks from around the globe. Below are the brief bios of our panelists, as well as a few links so that you can get a little lost, and find much more. But if you're in town, come see and hear from them in person. Did we mention the beer is on us?

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Handwriting Continues to Prove Its Nimble Nature • A Conversation with Curator of Manuscripts at Mary Savig

Bretty Rawson

"Technologies of communication, from telegrams to texting, have long threatened the written word. And yet, handwriting continues to prove its nimble nature. The craft of handwriting has flourished online, especially on social media. Artists, thinkers, and makers alike are experimenting with penmanship in innovative ways. Along these lines, the Archives continues to digitize and make our vast handwritten records available online for new generations to discover."

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Pen to Paper: Artists' Handwritten Letters • A Review by Sarah Madges

Bretty Rawson

"Designed by Princeton Architectural Press, the book operates much like a gallery exhibition, privileging the visual over the verbal so that we may take in the high quality images as art objects before reading the accompanying “wall text” that complements and situates them."

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Let the Mind Rule the Eye • A Conversation with Tullis Johnson about Charles Burchfield

Bretty Rawson

Working on Pen to Paper was interesting for me because it brought Burchfield’s handwriting into a larger context. While some artists took time and care in crafting letters to friends, Burchfield had little concern for the elegance and precision of the written word. 

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James McNeill Whistler and Work-Effacing Work • A Conversation With Lee Glazer

Bretty Rawson

This project reminded me of the actual, physical connection between writing, writer, and words. It’s especially telling in the context of someone like Whistler, who was such a clever writer and for whom words were his weapon of choice in his battles against the (to his mind, at least) unappreciative British public.

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Dan Flavin's Art & Life • A Conversation with Tiffany Bell

Bretty Rawson

"It’s concerning that kids growing up today might not be able to read letters, read these manuscripts. Flavin’s early text is so difficult to read, you almost feel shut out. He has all these flourishes, especially the way he ends a word. It’s very sad when this kind of information becomes inaccessible."

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Thomas Eakins's Precise Pen • Akela Reason

Bretty Rawson

"Eakins learned his elegant copperplate hand from his father, a skill that was reinforced at Central in his drawing classes. To the nineteenth-century mind, good penmanship and draftsmanship were seen as interrelated skills that reflected clarity of thought."

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What stories will your handwriting tell?

Bretty Rawson

Is handwriting really a lost art? Mary Savig, Curator of Manuscripts at The Smithsonian's Archives of American Art, says no. And we agree, which is why we have bonded, and for two months, banded together to help celebrate the launch of their latest anthology, Pen to Paper. Edited by Savig, this art object brings together worlds of insight on handwriting: the personal with the professional, and the past as translated by the present. Published by the one and only Princeton Architectural Press, Pen to Paper showcases letters written between American artists, their intimates, and colleagues. In this online exhibition, you will find interviews and reflections from contributors expanding on their essays in the book alongside a selection of letters from the Archives. 

"And yet, handwriting continues to prove its fluidity. The craft of handwriting had flourished online, especially on social media. Artists, thinkers, and makers alike are experimenting with penmanship in innovative ways. Demonstrations of calligraphy can be found on YouTube and hand-scribed cards flourish on Etsy. In the past few years, curator Hans-Ulrich Obrist has rebooted autograph collecting by posting handwritten notes--usually jotted down on Post-It Notes--by contemporary artists on Instagram, where anyone is welcome to add comments. With this in mind, let's not mourn handwriting as a lost at, or even as a dying art. As snail mail fades from contemporary culture as a primary mode of communication. the vast array of handwritten letters in the Archives of American Art remains relevant and ready for new generations to discover. Let's celebrate how imaginative correspondence now exists in material and digital forms, posing new ways of thinking about art, history, and culture. In the spirit of this book, pick up your pen and write a letter today. What stories will your handwriting tell?"

- Mary Savig, Introduction, Pen to Paper (page 23)

Handwritten & Smithsonian @ The Sketchbook Project (9/10)

Bretty Rawson

Pen to Panel

Handwritten & Smithsonian at The Sketchbook Project

September 10, 2016

We are over the moon to be partnering with the Smithsonian's Archives of American Art to celebrate the launch of Pen to Paper, an object of art published by Princeton Architectural Press, by hosting this culminating event, “Pen to Panel,” at none other than the world-renowned The Sketchbook Project. What better setting than a massive room lined with thousands of sketchbooks from humans around the world?

Join us on September 10th, from 6 – 8pm, for an evening of conversation, Brooklyn lagers, and archives. Curator of Manuscripts Mary Savig will be bringing letters from their archives to exhibit in the space, and around 7pm, we'll be quieting down to listen to five incredibly bright minds talk about the art and act of writing by hand today. On the panel will be Mary Savig, Linda Shrewsbury, Tullis Johnson, Luis Jaramillo, and Barbara Bash. You can see more information about our panelists and get a sneak-peek at Pen to Paper by visiting our online exhibition here: www.handwrittenwork.com/pentopanel.

The event is free, and so is the beer thanks to Pipe Dreams NYC! So come one, come many. We hope to see you at The Sketchbook Project for a few hours of wild words. Until then, keep the beautiful pen busy, and ink responsibly.

Curator of Manuscripts, Mary Savig, will be bringing some of the letters from Pen to Paper, which was published by PA Press (2016).

See our Facebook Event here, or enjoy the Handwritten ExhibitionWhat Stories Will Your Handwriting Tell?, which showcases letters from Pen to Paper, as well as exclusive interviews, essays, and reflections with Mary Savig and several of the contributors from the anthology.

Pints & Postage at Berg'n (8/17)

Bretty Rawson

pintspostage_bergn.jpg

"I don't always write a letter, but when I do, I do it at a bar." 
—Unknown

BY HANDWRITTEN

On Wednesday, August 17th, join Handwritten & Smithsonian's Archives of American Art for a free-ish evening of lagers & letters. For one hundred and twenty minutes, we'll be posting up at Berg'n, writing drafts, drinking draught beer, and sealing letters to distant lovers and friends. 

There will be plenty of postage provided by Handwritten, ornate stationary provided by Princeton Architectural Press, and discounted beers thanks to Berg'n! Come early, drop by anytime, or linger longer. Details:


Wed, August 17 at 7 PM - 9 PM
Berg'n, 899 Bergen St,
Brooklyn, New York 11238

Lenore Tawney postcard to Maryette Charlton (1969) • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Lenore Tawney postcard to Maryette Charlton, February 16, 1969. Maryette Charlton papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Maxfield Parrish letter to Cecilia Beaux, July 11, 1909 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Maxfield Parrish letter to Cecilia Beaux, July 11, 1909. Cecilia Beaux papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Eero Saarinen letter to Aline Saarinen, 1953 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Eero Saarinen letter to Aline Saarinen, 1953. Aline and Eero Saarinen papers. Archives of American Art, Smithsonian Institution. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.

Winslow Homer letter to Thomas B. Clarke, January 4, 1901 • Smithsonian Archives of American Art

Bretty Rawson

FROM THE SMITHSONIAN ARCHIVES OF AMERICAN ART 

Winslow Homer letter to Thomas B. (Thomas Benedict) Clarke, January 4, 1901. Winslow Homer collection. This letter will be featured in Smithsonian's forthcoming book, Pen to Paper: Artists’ Handwritten Letters from the Smithsonian’s Archives of American Art (Princeton Architectural Press, 2016).

Thank you to Mary Savig, Curator of Manuscripts, for opening up the Smithsonian Archives of American Art for a Handwritten celebration.